Saturday, March 16, 2019

ALBUM OF THE WEEK [#11]: Bring Her - Bring Her (2019)







INDIEVOTION SCORE: 9/10

Wednesday, March 06, 2019

AUSTRALIAN GEMS 2019 [#6]: Way Shit - This Isn't Working But I Don't Know How To Fix It


Photo Credits: Naomi Lee Beveridge










INDIEVOTION SCORE: 8.5/10

Saturday, March 02, 2019

ALBUM OF THE WEEK [#09]: Bob Mould - Sunshine Rock (2019)








Video Credits: Rick Dalberg



INDIEVOTION SCORE: 8/10

Wednesday, February 20, 2019

AUSTRALIAN GEMS 2019 [#5]: Julia Jacklin - Crushing



 







INDIEVOTION SCORE: 9/10

Saturday, February 09, 2019

ALBUM OF THE WEEK [#06]: French For Rabbits - The Weight of Melted Snow [2019]











INDIEVOTION SCORE: 8.5/10

Wednesday, February 06, 2019

AUSTRALIAN GEMS 2019 [#4]: UIU - Only Something When You Are Nothing





INDIEVOTION SCORE: 8/10

Saturday, February 02, 2019

ALBUM OF THE WEEK [#05]: Tiny Ruins - Olympic Girls [2019]









INDIEVOTION SCORE: 9/10

Thursday, January 31, 2019

ALBUM OF THE MONTH [January]: TOY - Happy in The Hollow (2019)











INDIEVOTION SCORE: 9/10

Wednesday, January 30, 2019

AUSTRALIAN GEMS 2019 [#3]: Shrimpwitch - Gave Me The Itch









INDIEVOTION SCORE: 8/10

Saturday, January 26, 2019

ALBUM OF THE WEEK [#04]: Girlpool - What Chaos Is Imaginary [2019]









INDIEVOTION SCORE: 8/10

Wednesday, January 16, 2019

AUSTRALIAN GEMS 2019 [#2]: Married Man – Hard Bargain





INDIEVOTION SCORE: 8/10

Saturday, January 12, 2019

ALBUM OF THE WEEK [#02]: Fawns of Love - Permanent [2019]










INDIEVOTION SCORE: 8/10

Saturday, January 05, 2019

ALBUM OF THE WEEK [#01]: Lorelle Meets The Obsolete - De Facto [2019]









INDIEVOTION SCORE: 8/10

Friday, January 04, 2019

INDIEVOTION’S PICK FOR BEST POST-PUNK ALBUMS 2018



It would be unfair not to acknowledge that last year was another pretty good harvest for Post-Punk genre whether we take it more or less orthodox. There was an amazing number of album releases from all over the world that reinforce the idea that the Post-Punk did not lose any of its appeal, but it keeps pumping madly like in the late 70s or early 80s.

In spite of the fore mentioned and though it may still be intriguing to some, 2018 proved that the resilience of Post-Punk seems untouchable. Last year has brought to light a set of refined, exquisite, releases that managed to essay a reinvention, re-imagination, rejuvenation of Post-Punk.

Some critics prefer to say that there we’re going through a Post-Punk revival. The question here is that you try to revive what was once dead and that certainly does not apply to Post–Punk considering that though times have changed, the cultural basis attached to the genre was never dissolved up to the point of oblivion and that helps to understand why it goes across generations.